{"created":"2023-06-19T09:31:25.085454+00:00","id":407,"links":{},"metadata":{"_buckets":{"deposit":"0b54f523-6d8e-4d5b-871d-f8fcc5143f1d"},"_deposit":{"created_by":3,"id":"407","owners":[3],"pid":{"revision_id":0,"type":"depid","value":"407"},"status":"published"},"_oai":{"id":"oai:seisen.repo.nii.ac.jp:00000407","sets":["10:35:46"]},"author_link":["552","550","551"],"item_2_alternative_title_5":{"attribute_name":"論文名よみ","attribute_value_mlt":[{"subitem_alternative_title":"ソウシツノゲンエイ:The American Innocence (1) キンメッキジダイ ト ジドウブンガク"}]},"item_2_biblio_info_14":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2005-12-26","bibliographicIssueDateType":"Issued"},"bibliographicPageEnd":"25","bibliographicPageStart":"1","bibliographicVolumeNumber":"53","bibliographic_titles":[{"bibliographic_title":"清泉女子大学紀要"}]}]},"item_2_creator_6":{"attribute_name":"著者名(日)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"斉藤, 悦子"}],"nameIdentifiers":[{"nameIdentifier":"550","nameIdentifierScheme":"WEKO"}]}]},"item_2_creator_7":{"attribute_name":"著者名よみ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"サイトウ, エツコ"}],"nameIdentifiers":[{"nameIdentifier":"551","nameIdentifierScheme":"WEKO"}]}]},"item_2_creator_8":{"attribute_name":"著者名(英)","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"Saito, Etsuko","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"552","nameIdentifierScheme":"WEKO"}]}]},"item_2_description_1":{"attribute_name":"ページ属性","attribute_value_mlt":[{"subitem_description":"P(論文)","subitem_description_type":"Other"}]},"item_2_description_12":{"attribute_name":"抄録(英)","attribute_value_mlt":[{"subitem_description":"When if comes to define a National identity, the United States have always shown an almost obsessive attachment to the image of innocence. This innocence seems to owe much to the pastoral view of the new continent which involves the idealization of nature. The idea of the pastoral itself goes as far back as the Roman Empire in European thought, but as Leo Marx has shown in his Machine in the Garden, discourses inside America presenting itself as a pastoral Arcadia fully develops in the later 18^